Two Bar 2 Hands - 4 Feet- 4 Hands - 2 Feet Fills Extend the one bar fill construction ideas using this double kick fill building block over two bars.
Two Bar 4 Hands - 2 Feet - 2 Hands - 4 Feet Fills Extend the one bar fill construction ideas using this double kick fill building block over two bars.
Two Bar 4 Hands - 2 Feet Fills Extend the one bar fill construction ideas discussed using this double kick pattern over two bars.
Two Beat 16th Note Fills At The End Of A 5/4 Bar Applying this short two beat fill concept first applied in 4/4 within this new time signature.
Two Beat 16th Note Fills At The End Of A 5/4 Bar Starting A Quaver Early Extending two beat fills in 5/4 to create an interesting fill length.
Two Beat 16th Note Fills In 3/4 Applying this short two beat fill concept first applied in 4/4 within this new time signature.
Two Beat 16th Note Fills In 3/4 Starting An 8th Note Early Extending two beat fills in 3/4 to create an interesting fill length.
Two Beat 3/4 Fills Following A '2e+ 3 +a' Rhythm Some ideas for fill construction using a set rhythm in the time signature of 3/4.
Two Beat 8th Note Flls In 5/4 Applying this short two beat fill concept first applied in 4/4 within this new time signature.
Two Beat 8th Note Triplet Fills In 5/4 Switching the rhythm of a full bar fill to give me options in construction.
Two Beat Fills In 6/4 Two beat fill construction in the time signature of 6/4 using a variety of concepts.
Two Beat Fills Using Two 16th Note Groupings Creating more interested rhythms in half bar fills by orchestrating sixteenth note groupings.
Two Hands Four Feet Grouping Exercise An exercise in apply double kick to odd groupings of sixteenth notes.
Two Hands Two Feet Tom And Hi Hat Fill || Free Fill Construction Lesson Splitting the hands in a flat flams betweem the tom and hi hat using an eighth note triplet rhythm.
Two Sixteenth Note Fills In 7/8 A simple 7/8 fill construction idea where a block of two sixteenth notes are played at the end of the bar.
Using Eighth Note Crashes In Fills Go crazy with adding crashes to fills by hitting them on all eighth note crashes.
Using Imitation In An 'R L L F' Fill Use the idea of imitation to construct fills from this level 3 fill construction shape.
Using The Groups Of 6 Orchestration Applying the rudiment orchestrations of the double paradiddle as simple fills.