Double Time Grooves With The Left Foot Counting Quavers Use eighth notes on the left foot as a time keeping device whilst playing double time.
Eight Sixteenth Note Fills In 7/8 A relatively simple 7/8 fill idea where a block of eight sixteenth notes is used then positioned at various points within the bar.
Eighth Note '322' Ride Bell Accents In 7/8 Grooves A set aceented eighth note right hand movement for grooves in 7/8
Eighth Note 2 3 Ride Bell Accents In 5/8 Grooves A set eighth note right hand movement for grooves in 5/8
Eighth Note 3 2 Ride Bell Accents In 5/8 Grooves A set eighth note right hand movement for grooves in 5/8
Eighth Note Grooves Avoiding The Quarter Notes Applying the concept of displacement to just the kick and snare parts in a slightly different way.
Eighth Note Hand To Foot Triplets With A Sixteenth Note Kick A specific grouping of eight and sixteenth notes within a common triplet movement.
Eighth Note Triplet 'Kick Snare Snare' Fills A fill construction idea based on using the hands and feet in blocks of eighth note triplet.
Exercises In Offbeat 16th Kick Placement A variation on a similar exercise, this time one rhythm uses a syncopated double stroke style movement.
Fills Constructed With A 'RLRLRF' Movement In 9/8 Applying the 'RLRLRF' fill building block in the time signature of 9/8.
Flam Tap As Quavers With Quaver Feet Taking the eighth note version of the rudiment and adding feet ostinati as quavers. Another good co ordination challenge.
Four Beat Fills At The End Of A Bar Of 7/4 Building four beat fills at the end of a bar of 7/4 using various concepts.
Four Sixteenth Note Fills In 7/8 A relatively simple 7/8 fill idea where a block of four sixteenth notes is used then positioned at various points within the bar.
Full Bar 16th Note Fills In 5/8 Using Simple Orchestrations Various ideas for fill construction in 5/8 using straight sixteenth note rhythms with no overly complicated movements. A great introduction to developing fills in this time signature.
Full Bar 16th Note Fills In 7/8 Using Simple Orchestrations Various ideas for fill construction in 7/8 using straight sixteenth note rhythms with no overly complicated movements. A great introduction to developing fills in this time signature.
Full Bar 16th Note Fills In 9/8 Using Simple Orchestrations Various ideas for fill construction in 9/8 using straight sixteenth note rhythms with no overly complicated movements. A great introduction to developing fills in this time signature.
Full Bar 2 Over 3 Syncopation Exercise In 6/8 A multi rhythmed exercise involving both limbs in the time signature of 6/8.
Full Bar 33334 Kick Rhythm In A Groove Using the '33334' sixteenth note grouping as a kick pattern. This is shown with various different right hand and snare placements.
Full Bar 8th Note Fills In 5/8 Using Simple Orchestrations Various ideas for fill construction in 5/8 using simple slow rhythms with no overly complicated movements. A great introduction to filling in this time signature.
Full Bar 8th Note Fills In 7/8 Using Simple Orchestrations Various ideas for fill construction in 7/8 using simple slow rhythms with no overly complicated movements. A great introduction to filling in this time signature.
Drumscore
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