Playing 8th and 16th note rolls on the feet in 9/8 grooves with various groove construction ideas on top.
In this lesson you will continue developing the idea of using Constant Double Kick rhythms in groove, this time focusing on patterns in the time signature of 9/8. In each of the examples a groove has been shown with both eighth and 16th note double kick parts. When playing grooves that use a lot of double kick it is worth remembering that the left foot can no longer hold down the hi hat pedal, which rules out the option of using a closed hi hat. There are devices such as drop clutches and remote hi hats that work around this problem but for now the right hand will be placed on the ride. Feel free to experiment with other ideas though. Remember to experiment with different voicings and timings for the right hand in each example.
Using double kick to play eighth notes may seem a bit unneccessary but you may find yourself in a situation where the song is at a very high tempo and eighth note kicks are used throughout the whole piece. In this case it is a lot easier on the right foot to split the work load between both feet. The end result will be a much more even sounding part that you don't struggle to maintain the tempo of. When playing a standard 9/8 backbeat feel the snare will often fall with a left foot.
It is also worth noting that to make the eighth notes flow nicely the part needs to be played over two bars.
- Using the 2 minute rule, get all grooves with eighth note kicks up to a tempo of at least 180bpm.
- Using the 2 minute rule, get all grooves with sixteenth note kicks up to a tempo of at least 130bpm.
- Create further variations on these grooves.
- Apply these grooves to a phrased piece as either the groove or fill. .