A specific placement of 16th note crashes to create some variation in fills.
Decorating a simple syncopated sixteenth note grouping with demi semi quavers.
Doubling the tempo of a level 2 lesson to creating some fast and rhythmically interesting patterns.
Doubling the tempo of a level 2 lesson to creating some fast and rhythmically interesting patterns.
Doubling the tempo of a level 2 lesson to creating some fast and rhythmically interesting patterns.
Doubling the tempo of a level 2 lesson to creating some fast and rhythmically interesting patterns.
A fast oddly grouped fill using an extract from the song 'Dreams' by Van Halen as inspiration.
A specific placement of 16th note crashes to create some variation in fills.
A high tempo fill using the RLLF movement using this Blink 182 song as an example.
A syncopated six note fill construction idea combining hands and feet.
A syncopated six note fill construction idea combining hands and feet.
Constucting fast fills using sixteenth note triplets split between the hands and feet.
Varying the accent placement of previous level 2 and 3 lessons to create a set of rhythmically interesting fills.
Doubling the tempo of a level 2 lesson to creating some fast and rhythmically interesting patterns.
Varying the accent placement of previous level 2 and 3 lessons to create a set of rhythmically interesting fills.
Doubling the tempo of a level 2 lesson to creating some fast and rhythmically interesting patterns.
Doubling the tempo of a level 2 lesson to creating some fast and rhythmically interesting patterns.
Adding 32nds into a sixteenth note syncopated rhythm.
Doubling the tempo of a level 2 lesson to creating some fast and rhythmically interesting patterns.
A fill construction idea based on using the hands and feet in a quick grouping of 3.
Syncopated fills following a set grouping in the time signature of 5/8.
Syncopated fills following a set grouping in the time signature of 5/8.
Syncopated fills following a set grouping in the time signature of 5/8.
Syncopated fills following a set grouping in the time signature of 7/8.
Syncopated fills following a set grouping in the time signature of 7/8.
Syncopated fills following a set grouping in the time signature of 7/8.
Syncopated fills following a set grouping in the time signature of 7/8.
Syncopated fills following a set grouping in the time signature of 7/8.
Syncopated roll based fills following a set grouping in the time signature of 7/8.
A specific grouping of eight and sixteenth notes within a common triplet movement.
A specific grouping of eight and sixteenth notes within a common triplet movement.
A specific grouping of eight and sixteenth notes within a common triplet movement.
A specific grouping of eight and sixteenth notes within a common triplet movement.
A specific grouping of eight and sixteenth notes within a common triplet movement.
A specific grouping of eight and sixteenth notes within a common triplet movement.
Constucting fast fills using sixteenth note triplets split between the hands and feet.
A specific grouping of sixteenths and thirty seconds applied to a half bar fill.
A specific grouping of sixteenths and thirty seconds applied to a half bar fill.
A specific grouping of sixteenths and thirty seconds applied to a half bar fill.
A specific grouping of sixteenths and thirty seconds applied to a half bar fill.
Combining flat flams on the tom and hi hat with a syncopated rhythm.
Combining flat flams on the tom and hi hat with a syncopated rhythm.
Combining flat flams on the tom and hi hat with a syncopated rhythm.
Combining flat flams on the tom and hi hat with a syncopated rhythm.
Combining flat flams on the tom and hi hat with a syncopated rhythm.
Combining flat flams on the tom and hi hat with a syncopated rhythm.
Combining flat flams on the tom and hi hat with a syncopated rhythm.
Combining flat flams on the tom and hi hat with a syncopated rhythm.
Combining flat flams on the tom and hi hat with a syncopated rhythm.
Combining flat flams on the tom and hi hat with a syncopated rhythm.