For this Double Paradiddle fill you will be orchestrating the rudiment using rolls around the drums with hi hat and ride cymbals added in. This fill works best when combined with a groove using the ride but can be modified to fit with anything.
First you will be given the basic fill. You will then be given ideas for combining with groove, ideas for variation and finally an example piece.
Lesson Contents
Double Paradiddle Fill 3
The fill looks like this:
When reading this fill, make sure you follow the first four cymbals correctly. There are both rides and hi hats there.
TASK
- Spend time getting this fill up to a tempo of at least 90bpm.
Adding Groove
Now add groove to the first two beats. It doesn't matter what groove you use as long as it's only half a bars worth. Below are a couple of examples.
Grooved Version 1
Grooved Version 2
Grooved Version 3
A half time version
TASK
- Spend time getting these patterns up to a tempo of at least 90bpm.
Ideas For Adding Feet
For this fill you can take two approaches to altering the feet. First you can treat it in a similar way to a groove and create rhythmic patterns. Or alternatively you can use the feet to keep time. The groove has been excluded again in these examples, create your own patterns to complete the bar.
Foot Variation 1
Here you are using three eighth notes on the kick to create a groove style pattern. Experiment with different eight note placements to create different groove style patterns. 16th note kicks can also be used but are far more difficult to apply.
Foot Variation 2
We have a similar idea here with quarter notes added on the left foot to keep time.
Foot Variation 3
In this example you are using quavers to keep time. Straight kicks are shown but any other form of orchestration will work just as well.
Foot Variation 4
Here you are playing eighth note triplets on the kick drum to create a slightly off time sound.
TASK
- Spend time getting these patterns up to a tempo of at least 90bpm.
Extending To A Full Bar
In these fills the last half of the bar will be the original fill and the first half turns it into a full bar fill using various ideas. Three versions of this idea are listed below.
Full Bar Variation 3
In this version you start with the fill above and finish on a single stroke roll as sextuplets. Feet have been included.
Full Bar Variation 2
Here you again start with the fill above and end on an orchestrated version of it.
Full Bar Variation 3
In this version the fill is played twice and accented notes have been added.
TASK
- Spend time getting these patterns up to a tempo of at least 90bpm.
Example Piece
The short piece below includes various versions of the fill combined with different grooves. The sticking has been excluded in each fill so remember to use the double paradiddle.