Sticking For The Drag A rudiment used a rhythmic decoration that involves one hand playing slightly before the other.
Sticking For The Drag Tap A development of the straight drag rudiment that involves adding in additional notes between the drag.
Sticking For The Flam A rudiment used a rhythmic decoration that involves one hand playing slightly before the other.
Sticking For The Four Stroke Ruff A development of the flam and drag rudiments where three grace notes are used as single strokes.
Sticking For The Inverted Flamadiddle The sticking for this paradiddle rudiment which combines flams and inverted paradiddles.
The Drag Tap With Right Hand Accents A lesson on accenting standard right hands in a sixteenth note drag tap.
The Flam Accent Played On The Feet Using the flam accent as a foot stamina and co ordination exercise.
The Flam Accent Played On The Hands And Feet Expanding on previous exercises by applying hands to the flam accent on the feet exercise.
The Flam Tap Played On The Hands And Feet Expanding on previous exercises by applying hands to the flam tap on the feet exercise.
The Flamacue Played On The Hands And Feet Expanding on previous exercises by applying hands to the flamacue on the feet exercise.
The Flamadiddle Played On The Hands And Feet Expanding on previous exercises by applying hands to the flamadiddle on the feet exercise.
The Four Stroke Ruff Moving In A Triangle Shape A simple orchestration concept where the hands move in a 'triangular' style movement.
The Four Stroke Ruff Moving In Groups Of Two A simple orchestration concept where on every quarter note the hands move to a new drum.
The Four Stroke Ruff Moving In Quarter Notes A simple orchestration concept where on every quarter note the hands move to a new drum.
The Four Stroke Ruff Played On The Feet Using the four stroke ruff as a foot stamina and co ordination exercise.
The Four Stroke Ruff Played On The Hands And Feet Expanding on previous exercises by applying hands to the four stroke ruff on the feet exercise.