5/8 Fills Built From Two 16th Notes A simple 5/8 fill construction idea where a block of two sixteenth notes are played at the end of the bar.
5/8 Fills Following A '1+2 3+4 5+' Rhythm Creating fills from a specific rhythm in the time signature of 5/8.
5/8 Fills Following A '1+2+3 4 5+' Rhythm Creating fills from a specific rhythm in the time signature of 5/8.
5/8 Fills Following A '3 4 5+' Rhythm Creating fills from a specific rhythm in the time signature of 5/8.
5/8 Fills Following A '3+4 5+' Rhythm Creating fills from a specific rhythm in the time signature of 5/8.
6/8 'R L L F' At The End Of A Standard Fill Create fills by throwing one occurance of the 'RLLF' movement in at the end of a 6/8 fill.
6/8 'R L L F' Fills Moved Around The Kit Creating fills in the time signature of 6/8 using a syncopated version of the 'R L L F' exercise.
6/8 'R L L F' Fills With Moving Right Hands Create fills by orchestrating the right hand from the 'R L L F' exercise played in the time signature of 6/8.
6/8 Double Paradiddle Fills Using Simple Orchestrations Applying the rudiment orchestrations of the double paradiddle as simple fills.
6/8 Fills Cut An Eighth Note Short A very simple fill construction method that involves taking fills from the familiar time signature of 6/8 and tweaking the length to apply to 5/8.
6/8 Fills Extended By An Eighth Note A simple fill construction method that involves taking fills from the familiar time signature of 6/8 and tweaking the length to apply to 7/8.
6/8 Fills Following A '1 2+3 4+5+6' Rhythm Full bar fills in 6/8 that use a specific combination of 16th groupings.
6/8 Fills Following A '1+2 3+4 5+6' Rhythm Full bar fills in 6/8 that use a specific combination of 16th groupings.